Cancelled: Amy Helm w/ Elizabeth & The Catapult @ The Old Church Concert Hall | Singer/Songwriter
This show has been cancelled.
From our sponsors:
Amy Helm w/Elizabeth & The Catapult
July 24, 2022
Doors 7PM, Show 8PM | $25-$30 | All Ages
More info: events.humanitix.com
The Old Church Concert Hall
1422 SW 11th Ave, Portland, OR 97201
Singer-songwriter and multi-instrumentalist Amy Helm’s third album, What the Flood Leaves Behind, is her most autobiographical yet, both in content and creation. Out now via Renew Records/BMG, these 10 songs represent a gathering of ideas and experiences, friends and collaborators. Yet, the album also marks a landing — a pause for the traveling musician and mother of two young boys who was seeking clarity in her calling and career.
After making multiple albums and performing in far-flung places, Helm returned home to Woodstock’s Levon Helm Studios just before the pandemic to record What the Flood Leaves Behind and reclaim a sense of self.
“Going back to the place where I learned so much about how to express music, how to hold myself in music, how to listen to music,” she begins, “it was humbling in a funny way. I could see clearly where I came from and where I am now in my life. I was singing from a different place now and for a different reason.”
An impressive group of friends and collaborators joins Helm on What the Flood Leaves Behind. With musical polyglot Josh Kaufman (whose credits range from Taylor Swift’s Folklore to the Grammy-nominated Bonny Light Horseman) producing and contributing on piano, guitar, and mandolin, the record brings Helm’s powerful, emotive vocals to the forefront of the album.
“We tried to make it about her voice and about the musicians responding to her and not the other way around,” explains Kaufman. “I wanted her to feel like she had that freedom to be herself on the recordings and she just filled up the whole room. Her singing was coming from this deeply rooted place of family and music and wanting to convey a beauty.”
In fact, Helm considers Levon Helm Studios itself to be “the tuning fork” for the record — an ethereal, elemental component that helped her and musicians Phil Cook (keys, harmonica), Michael Libramento (bass, organ, percussion), Tony Mason (drums), Daniel Littleton (guitar), Stuart Bogie (saxophone), Jordan McLean (trumpet), and her son Lee Collins (congas) summon courage and comfort.