Win Tickets ($36): Sydney Sprague – The “Somebody in Hell Loves You! Tour @ Mission Theater | w/ Wheelwright, Indie Pop Rock
We are giving you another chance to WIN a pair of tickets to Sydney Sprague – The “Somebody in Hell Loves You! Tour @ Mission Theater on November 15. To win, comment below on this post why you’d like to attend. Winner will be drawn and emailed November 6.
From our sponsors:
Sydney Sprague – The “Somebody in Hell Loves You! Tour
November 15, 2023
Doors 6:30PM, Show 7:30PM | $15 ADV, $18 Doors | All Ages
More info: mcmenamins.com
1624 NW Glisan St, Portland, OR 97209
Sydney Sprague channels her sadness, anxiety, and existential dread through driving guitars, shimmering melodies, and the deceptively sweet weapons of indie pop-rock and keen observation.
Self-aware with a knowing injection of dark humor, her songs summon the best of 90s alt-rock and classic power-pop without sacrificing a melancholy befitting of the end times. Her music is intimate, vulnerable, confrontational, autobiographical, and strangely uplifting. Her sophomore record, somebody in hell loves you, is as devilishly saccharine as the title implies, boldly accessible and smart.
The positive press, word-of-mouth, and a stellar tour with Jimmy Eat World and Dashboard Confessional helped make organic streaming hits out of songs like “steve,” “quitter,” and “i refuse to die”; “object permanence” boasts nearly 1 million streams on Spotify alone. “As a smaller artist, it’s almost impossible financially,” Sydney says of her relentless schedule. “But I love it so much.”
Sydney wrote most of somebody in hell loves you during the pandemic lockdowns, and yet, it’s decidedly less angsty than its predecessor. “And not because I’m a less angsty person,” she clarifies. “Obviously, none of us were in a good place in 2020. It was a depressing time. But I didn’t want to wallow in that. I wrote more as an exercise to distract myself from my woes.” A lot of the songs became observational storytelling, exploring the drama of people around her and revisiting her past.
Wheelwright brings a western sound of pop and grunge from the sprawling desert city of Phoenix, AZ. Blending devil may care spirit commenting with the tumultuous contemporary relationships and existentialism that comes from hope and youth in a world that isn’t kind to either. None of his songs are idealistic, they capture a rugged wholesomeness that comments on the human experience. No darkness without light, no laughter without at least some suffering, no thoughtfulness without some recklessness. Songs of self acceptance and love without the kumbaya bullshit, but rather the idea that we are all beautiful and flawed, stuck here together, whether we like it or not.