Win Tickets ($50): BAILEN @ Aladdin Theater | Indie Pop Power Trio, w/ John-Robert

We are giving away a pair of tickets to BAILEN @ Aladdin Theater on February 23. To win, comment below on this post why you’d like to attend. Winner will be drawn and emailed February 19.

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From our sponsors:
BAILEN
February 23, 2024
Doors 7PM, Show 8PM | $25 | All Ages
More info: event.etix.com

Aladdin Theater
3017 SE Milwaukie Ave, Portland, OR 97202

Tired Hearts, the new album from rising indie-pop power trio, BAILEN, delivers a dazzling set of songs that navigates the space between the heart’s expectation and the head’s sober reality. New York based siblings, Daniel, David, and Julia’s second full-length album for Fantasy beats with empathy, vulnerability, and resolve.

At times intricate and playful, measured and elaborate, the 12 original songs on Tired Hearts wrestle with an uncertain future where ethics and morality—both communal and personal—seem to be constantly shifting. Locating one’s compass amidst the chaos—a world-wide pandemic, toxic social media culture, economic insecurity and political turbulence—is at the LP’s core.

Producer Brad Cook (Bon Iver, Waxahatchee, Snail Mail) who, along with the band, co-produced Tired Hearts, helped to expand BAILEN’s ambition beyond what they initially envisioned. “We’d played the last record live a hundred times before recording it, so we tracked a lot of it live,” Daniel explains. “With Brad, we took a collagist’s approach. It freed us up to explore and be sonically adventurous.”

In contrast to the road-tested songs on their accomplished debut LP, 2019’s Thrilled to Be Here produced by John Congleton, many of the songs on Tired Hearts were honed in the studio as opposed to live on tour – “the songs changed so much over the course of recording process,” Julia remarks.

Most noticeably, Cook encouraged the trio to experiment with how they sing. “We deliberately used the more vulnerable parts of our voices,” Julia says. “After not being in the studio for years, we were in vulnerable places, and this record reflects the frustration and tenderness of that time.” “We pushed ourselves lyrically, it’s the most exposed, intimate music we’ve written as a result,” David affirms.

Indeed, BAILEN’s radiant harmonies, spare, synth-driven tracks, and futuristic, ear-catching arrangements usher in Tired Heart’s exhilarating avant-pop evolution. “Shadows,” affectingly captures “the moment you see someone and realize you can spend the rest of your life with them.” “Nothing Left to Give” echoes of HAIM’s sparkling pop, while “These Bones,” contains a hint of Phoebe Bridgers’ hushed intimacy.

Raised and rooted in New York City by classically trained musician parents and their wide-ranging, eclectic record collection, BAILEN has emerged as a favorite in indie circles by cultivating a passionate following via word of mouth, robust playlisting and a stream of steady touring and collaborating with artists such as Amos Lee, The Lone Bellow, Joseph, and Hozier to name a few.

On Tired Hearts, their exquisite and thought-provoking new album, BAILEN learns how to dream in the face of life’s uncertainty and in the process, moves forward aware, resilient, and hopeful. “This album is a breakthrough for us,” Daniel says. “It’s been a rocky road, but we’re really grateful that it’s led us here.”