From our sponsors:
Steve Earle & The Dukes
August 14, 2017
Doors: 7 pm / Show: 8 pm | $35 ADV / $38 DOS | 21+
1300 SE Stark Street, Portland, OR
Almost twenty years ago, Steve Earle and I took a ride through South Nashville. It was down those mean streets that Steve had spent his famous “hiatus” in the early 1990’s mostly shooting dope. It was a crazy, unprecedented thing. Here was a guy – the supposed “new face” of outlaw country – who had already put out a near unbroken string of instant classics, including chart hits like “Guitar Town,” “Someday,” and the immortal “Copperhead Road.” And he just up and disappears, drops from sight for four years, making no records, playing no shows. Many thought he was dead.
By the time we met, Steve was on the way back, through his sixty-day stint in the Davidson County Jail, firmly in recovery. He’d already released a couple new discs, the masterly acoustic Train A Comin’ and the defiantly electric I Feel Alright. But you could tell, he wasn’t all the way back. Clean and sober can be a transitory thing, the ghosts of the old days are far from fully vanquished, if they ever will be. Steve wasn’t sure he wanted any more of South Nashville, but being Steve, which is to be an adventurer and a sport, he agreed to take the tour.
“This is Lewis Street,” Steve said as we turned right off Fain. The neighborhood hadn’t changed all that much since Steve holed up there, listening to Dr. Dre’s The Chronic on a near permanent loop. A number of local denizens were killing time on the corner, craning their heads to see if these particular white boys were buyers or cops. But I was already familiar with Lewis Street from the tune “South Nashville Blues,” which appears on I Feel Alright.
“The first thing people usually ask us is ‘What’s it like as a husband and wife playing music together?,’” says Chris Masterson. “We always say that the lows are low, but the highs are really high.”
There are plenty of highs on Good Luck Charm, the second album by The Mastersons, the collaboration that Chris shares with his marital and musical partner Eleanor Whitmore. Generously filled with infectious melodies, instinctive harmonies and vividly insightful lyrics, Good Luck Charm embodies the uncanny rapport that singer- guitarist Chris and singer-violinist-guitarist Eleanor have developed in their experiences living, touring and making music together.
The Austin, TX-based duo’s lilting songcraft and charismatic chemistry have already won over listeners around the world, thanks to the couples ongoing status as members of Steve Earle’s band The Dukes, their frequent opening sets for Earle, and their critically-lauded 2012 debut album, Birds Fly South.
Although Good Luck Charm is the Mastersons’ second album, in many ways it’s their first full-on collaboration. Whereas Birds Fly South consisted largely of songs that they’d composed individually, all of Good Luck Charm’s material was co-written by Chris and Eleanor, giving the material added depth as well as a powerful collective lyrical identity that’s matched by their expressive harmonies.