From our sponsors:
SiriusXM Jam On Presents: Galactic Winter Tour
with special guests The Bright Light Social Hour
February 11, 2017
7 p.m. doors, 8 p.m. show | $29.50 ADV, $32 Doors | 21+
1332 W Burnside St, Portland, OR 97209
It’s been more than 20 years since Ben Ellman, Robert Mercurio, Stanton Moore, Jeff Raines and Rich Vogel began exploring the seemingly limitless musical possibilities born out of their work together as Galactic. Since then, the seminal New Orleans band has consistently pushed artistic boundaries on the road and in the studio, approaching their music with open ears and drawing inspiration as much from the sounds bubbling up from their city’s streets as they do from each other.
A key part of that creative spark comes from the teamwork of Mercurio and Ellman, whose ever-evolving production and arranging skills helped usher the band into a new phase of studio work beginning with the loop-centric “Ruckus” in 2007. A series of albums focused around specific concepts like Carnival followed, as did collaborations with guests hailing from worlds outside the one Galactic calls its own.
On “Into the Deep,” the band members look within themselves instead, drawing inspiration from people and ideas that have long been close to their hearts – and, in turn, close to the development of their unique sound. Shot through with soul, funk, blues and rock, the result is an organic riff on elements of Galactic’s past, filtered through the lens of where they’re headed in 2015.
“I see this album as a kind of culmination of all of our collaborations or experiences, from [trombonist] Corey Henry to the people we met on the road, touring,” says Mercurio, referencing Ellman’s first full-time gig in New Orleans, which kicked off when Henry hired him into the Little Rascals Brass Band in 1989.
“The previous albums took us in the opposite direction,” Mercurio says. “We collaborated with rappers that we had never dealt with and even on the New Orleans tracks, we didn’t have working experience with most of those artists before the recordings.”