We are giving away a pair of tickets to on December 29. To win, comment on this post why you’d like to attend. Winner will be drawn and emailed Friday, December 23.
From our sponsors:
Camper Van Beethoven
December 31, 2016
Doors p.m., Show p.m. | $40 ADV, $45 Doors | 21+
3017 SE Milwaukie Ave, Portland, OR 97202
This December Cracker will be releasing their tenth studio effort, entitled Berkeley To Bakersfield, a double-album that finds this uniquely American band traversing two different sides of the California landscape – the northern Bay area and further down-state in Bakersfield.
Despite being less than a five-hour drive from city to city, musically, these two regions couldn’t be further apart from one another. In the late ‘70s and ‘80s a harder-edged style of rock music emerged from the Bay area, while Bakersfield is renowned for its own iconic twangy country music popularized, most famously, by Buck Owens and Merle Haggard in the ‘60s and ‘70s. Yet despite these differences, they are both elements that Cracker’s two cofounders, David Lowery and Johnny Hickman, have embraced to some degree on nearly every one of their studio albums over the last two decades. On Berkeley To Bakersfield, however, instead of integrating these two genres together within one disc, they’ve neatly compartmentalized them onto their own respective regionally-titled LPs.
As Lowery explains, “On the Berkeley disc the band is the original Cracker lineup – Davey Faragher, Michael Urbano, Johnny and myself. This is the first time this lineup has recorded together in almost 20 years. We began recording this album at East Bay Recorders in Berkeley, CA. For this reason we chose to stylistically focus this disc on the music we most associate with the East Bay: Punk and Garage with some funky undertones. To further match our sense of place we often took an overtly political tone in the lyrics.”
Camper Van Beethoven
“We didn’t want to jump right back in and make that ‘Bad Reunion Record’ that most bands make when they try to reform. We were more concerned with getting used to each other and figuring out that we could still make music together, before we made a big deal out of announcing that we were back.”
So says David Lowery of the extended gestation period that preceded New Roman Times, Camper Van Beethoven’s first album of new material since reuniting after a decade-long hiatus.