We are giving away a pair of tickets to Squeeze @ Revolution Hall on October 1. To win, comment on this post why you’d like to attend. Winner will be drawn and emailed Friday, Spetember 30 .
From our sponsors:
October 1, 2016
Doors: 7 pm / Show: 8 pm | $45 | 21+
1300 SE Stark St, Portland, OR 97214
971 808 5094
It’s 1973 in South London. Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed ‘The New Lennon and McCartney’. Over 35 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK’s music scene.
As teenagers on the South London scene, Squeeze – setting out their stall early on by facetiously naming themselves after a poorly-received Velvet Underground album, and at the time also comprised of Jools Holland on keys, Harry Kakouli on bass and Paul Gunn on drums – became a fixture of the burgeoning New Wave movement. When Gilson Lavis replaced Gunn on drums everything seemed to fall into place, and word of mouth soon spread about the band – ironically, it was none other than Velvet Underground man John Cale who caught wind in 1977 and offered to produce their debut EP ‘Packet Of Three’ and much of the ensuing album.
Yet it was second album ‘Cool For Cats’, released in 1979, which cemented their place as one of Britain’s most important young bands. Featuring the classic single ‘Up The Junction’ as well as the title track, it was many listeners’ first introduction to the witty kitchen-sink lyricism and new-wave guitar music that has become the band’s trademark. With albums ‘Argybargy’ and the Elvis Costello-produced ‘East Side Story’, Squeeze even started to make waves across the pond, although in 1980 former Roxy Music and Ace – and future Mike + The Mechanics – man Paul Carrack would replace Jools Holland, going on to lend his unmistakeable vocals to the smash hit ‘Tempted’.
By 1984 Squeeze had disbanded. The chemistry between Tilbrook and Difford could not be as easily dismissed however, and the ensuing record they made together has become the “lost” Squeeze album for many fans. But the band couldn’t lay dormant for long, as Squeeze reformed the next year for ‘Cosi Fan Tutti Frutti’, along with Holland, Lavis and Keith Wilkinson, Squeeze’s longest serving bass player. Over the next 12 years Difford and Tilbrook remained the only constant element as Squeeze continued to receive critical acclaim, release albums and tour, with the likes of ‘Hourglass’ becoming their biggest ever hit in the USA.
LOOK PARK is Chris Collingwood’s first album outside of Fountains of Wayne, recorded in collaboration with legendary producer Mitchell Froom (Elvis Costello, Crowded House, Suzanne Vega). Warm and enveloping, the loose-limbed psychedelic pop of songs like “Aeroplane” and “Breezy” is marked by deep, lush instrumentation, Collingwood’s literate lyricism and melodic sense enhanced by GRAMMY® Award-winning Froom’s layered palette. Shot through with earnest emotion and restless energy, LOOK PARK is unlike anything in Collingwood’s already extraordinary canon, a fact affirmed by his decision to dub both the album and overall project as “Look Park,” the name borrowed from a favorite green space in his hometown of Northampton, MA.