We are giving away a pair of tickets to Billy Cobham’s “Spectrum 40” @ Aladdin Theater on Thursday, September 26. To win, comment on this post why you’d like to attend. Winner will be drawn and emailed Monday, September 23.
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Billy Cobham’s “Spectrum 40” featuring Dean Brown, Gary Husband and Ric Fierabracci
September 26, 2013
7 p.m. Doors, 8 p.m. Show | $35 | Under 21 permitted w/ parent or legal guardian
3017 SE Milwaukie Ave Portland, OR 97202
Eversince his breakthrough in the early 1970s-as a founding member of the Mahavishnu Orchestra, and as a drummer/leader whose recordings (such as Spectrum) and powerful, complex style of play exerted a strong influence on the course of jazz and jazz-fusion Billy Cobham has remained a tireless musical explorer.
Panamanian by birth, a New Yorker by upbringing, and a resident of Switzerland for more than 25 years,Cobham has pursued an ever-broadening, ever-deepening engagement with the world not only as a master drummer and percussionist but as a composer, producer, educator, and clinician who gives service through music even as he constantly expands his personal creative expression.
Cobham’s newest recording, Fruit from the Loom-released in April 2008 through his own imprint, Creative Multi Media Concepts, Inc. (CMMC)-is a suitably wide-ranging representation of his roots and his journeys. He reprises two of his best-known compositions from the ’70s, “Spectrum” and “Crosswinds,” by incorporating violin on the former and steel pan on the latter. “I’ve always found it difficult to focus upon one direction in music,”Cobham notes, “so I’ve resigned myself to projecting ideas and thoughts through a musical kaleidoscope, from Latin to rock and jazz. This version of ‘Spectrum’ is a testament to that idea.”
On the new CD, he also utilizes a string quartet (on “Faia”) and percussion ensembles with Cobham himself playing all the parts on “Samba du Militairestrasse” and Nigerian friends joining him on “Thoughts from Okuta.” Experiences from travels in Brazil are captured in “Eggshells Still on My Head” and “Florianapolis,” while the Bocas del Toro islands off the eastern coast of Panama-which Cobham describes as a place where “it is easy for me to relax and generally mellow out” inspire the buoyant “Sweet Bocas.” Fruit from the Loom, dedicated to the memory of Cobham’s parents William and Ivy, features support from longtime colleagues including organist Brian Auger, bassists Victor Bailey and Stefan Rademacher, saxophonist Ernie Watts, guitarists DeanBrown and Jean-Marie Ecay, and, on steel pan, Junior Gill.